The Best 5 Photography Tips For Total Beginners
5 Photography Tips For Total Beginners was created, because Photography is one of the hardest things I have ever studied; much harder than programming or learning how to write well, if you’re able to believe it. Not that pressing a button and pointing a camera is difficult, of course. What is hard is getting a shot.
It took me over a year to produce the first shot I actually enjoyed, and to this day I despise 99 out of every 100 shots I take. It’s a challenging hobby and a career to pursue. But don’t let that dissuade you from studying it. It’s extremely rewarding. I strongly believe that everyone should learn a little about it, since photography has means of improving your life, most notably by making you happier.
5 Photography Tips For Total Beginners:
The Exposure Triangle
Most beginners believe the magic of photography occurs in a camera’s body, but the true source of magical is mild. A well-lit subject may be captured poorly, but a subject that was poorly-lit will never look good. Lighting is everything. And so as to snap a fantastic shot, you must know the exposure triangle. When taking a photograph, its own shutter opens and starts to let in light through the lens. This light strikes the camera sensor, which is processed as a picture.
Three factors affect the resulting image:
The dimensions of the lens opening, frequently stated in the kind of f/2, f/5, f/11, etc.. The bigger the number, the wider the aperture opening. The wider the aperture, the more light is let in. Aperture size also affects depth of field (which impacts, for example, background blur).
It affects sensitivity to movement (faster speeds will freeze movement, slower speeds will motion blur). The lower the shutter speed, the more light it is allowed in.
It is described as sensitivity to light. It can be defined as 100 ISO, 400 ISO, 6400 ISO, etc.. Higher ISOs allow you to take photos in darker situations, however, the trade-off is noise (“grain”).
Entire classes are taught on the exposure triangle, so consider this nothing more than a short overview. The takeaway is that you need to master all three variables – ISO, aperture, shutter speed, in order to take photos that come anywhere close to your eyesight. And trust me, this means you should get started sooner rather than later, this topic is deeper than you think.
The Rule of Thirds
The majority of the time, you can immediately get a feeling of whether a given photograph was shot by an amateur or somebody with a great deal of photographic experience. That is because amateurs do not have a feel for composition, and composition the factor that represents the spirit of the photography.
The composition is the placement of each element in a shot. It describes the way the photo is “written,” which suggests intentionality. Somebody who pays no attention to composition can take good shots by coincidence. On the flip side, once you have a grasp of composition, you’ll have the ability to create shots from the circumstance, location, and every subject.
Of many different theories, the easiest and a lot of times most effective is The rule of Thirds. Every photographer uses this technique. Some use it as a crutch, others use it when compositional techniques fail for any particular shot. No matter where you are on your photography experience level, the rule of thirds has to be a part of your arsenal. There are not many so effective recommendations that’ll give you as this one.
Change Your Perspective
One approach to making an unremarkable photo is to snap a topic straight-on from eye level. This view is known by everyone previously. We interact with the planet from this perspective each and every day. It’s ordinary, tired, boring.
The fix is simple: shoot from a different perspective!
This can mean a couple of things:
- Change your elevation: get to the ground or stand atop a water tower.
- Switch your angle: rather than straight-on, try up or skewed in the side.
- Explore your space, by becoming one with the model.
Try a combination of all three. You’ll be surprised by just how different your shots sense with these modifications.
For example, compare the following two shots:
Yes, it’s a straight-on angle, however, the camera transformed altitude (closer to the floor) and altered distance (closer to the topic). The first picture is what we normally see uninteresting. The second picture isn’t something we see every day, thus it feels more touching to us.
Post-Processing Is Vital
People often perceive it as radically changing the source photo. It has ignited a quasi-movement of photographers who have pledged never to retouch their photographs. They aim for “natural” photographs – no airbrushing, no tricks.
Their goals are noble, but they are also throwing the baby out with the bathwater. Post-processing can be subtle and organic too! The truth is, cameras are faulty devices with physical limitations. Often times, it isn’t possible to catch the perfect picture just with the camera.
Think about it like cosmetic makeup. Yes, some people go overboard with a lot of lipstick and blush (i.e. unskilled post-processing). But most use makeup to match their features, and it’s so subtle that you don’t even realize they’re wearing any.
Even when you’re a “natural” photographer, you need to post-process your own images! Do not be like me and overlook this important skill – you’ll eventually go through a phase where your shots feel like they’re missing something, and something will be a bit of post-processing love. But remember all things in moderation.
If you want to Learn More About Some Long Exposure Effects you can take a look at 4 Stunning Long Exposure Effects Explained.
Don’t Blame Your Gear
I will not say that equipment doesn’t matter. It does matter – but not as much as you think. As they say, a photographer can produce photos that are great with a crappy camera but an amateur photographer will not get much good out of professional-grade gear…
It comes down to what we discussed previously: light, exposure, composition, angles, perspective, with however much post-processing you desire to use. If you can master all those things, you’ll be able to take shots with whatever a smartphone. In fact, smartphone cameras are fantastic! If Mobile Photography is your thing you can read 5 Tips That Will Make You A RockStart Mobile Photographer!
Obviously, there are limitations to your equipment, and it is definitely possible to outgrow a certain camera, lens, speedlight, or attachment. However, the takeaway is that by updating your equipment your photography skills won’t get better. The sooner you take this, the faster you will improve and make progress.